Mac Brydon

The characters Dr. Hallemeier and Dr. Gall are the closest thing to a comedy team in R.U.R. - Mac Brydon and Kevin Bernard find enough dimensions in these two to keep these science geeks grounded, so that their undoing in the second act is all the more touching.

Brydon's work was simply amazing. There is really no other way to put it. He was natural in everything he did...his Chevy-Chase/John Ritter-like physicality was reminiscent of the simple beauty of Dudley Moore hiding behind the flowers in the chapel in "10" - hilarious, believable, entertaining and FUN.

...a scene in which Tom reduces his closeted, gay-baiting boss (Mac Brydon) to a simpering slave is priceless, its transitional exchange hilariously played by the two actors.

The cast is uniformly fine...Mac Brydon...as British ex pat Robert Pimm...is adroitly driven and enigmatic.

The acting was outstanding, especially…Mac Brydon as Edgar.

...the play is well served by its cast...

The piece is very well-acted. I especially enjoyed Mac Brydon...

Mac Brydon's understated performance as Bob works beautifully...

Brydon brings sharp comic timing to his wry portrayal of Roger Doremus, the mamma's boy and general dormouse of a man...he scurries to the loveseat & fans himself with a palm frond when confronted by his rival...a brilliantly funny moment of unspoken frustration...the funniest scene in the play...

as Benedick...Mr. Brydon...made a fantastic transition to the serious Benedick, who is deeply hurt by Claudio's actions...

...Mac Brydon is fully functional at play's end

The show opens as Rollo meets with a theater manager, Abie Stein (Mac Brydon), to unfold plans for his debut. “ ‘Hamlet?’ ” says the skeptical Mr. Stein. “Do you think anyone wants to see it?

The key to this production...was the energy of Brydon and Pfister. As two crooks on speed they were bouncing off the walls; the staff should have distributed sedatives with the programs...In addition to their lightning pacing, these actors seemed to have mastered the Scots dialect...

Brydon and Pfister have a good chemistry together and great timing...very nice work with their Scottish accents...the chemistry among the three men is pretty strong...

...the sex-starved, goofy Dr. Hallemeier (Mac Brydon)...

…blessed with excellent actors in its leading roles…Brydon, whom I enjoyed in a production of Moonchildren, is even better here; he can act in a wonderfully intimate, naturalistic style and yet clearly project his character's emotions...when Brydon does let go, it's chilling.

Mac Brydon as the abusive boss turned whipping boy...plays his character over the top - in a good way. The audience lapped up his scenes because he went full-tilt boogie with the material and seemed to be having a blast...

It's such a pleasure to see theatre like this.

the quixotic and darkly insinuating Mac Brydon...vibrant production...flawless acting...Actors Brydon and Tramont are superb...The ensemble work . . . is sharp, unexpected and devastating...must-see production

Mac Brydon and Ian Pfister deliver remarkable performances.

Mac Brydon had that sleazy charm of a Theatrical Manager. I could also see him as bookie in a Damon Runyon story.

Mac Brydon is outstanding as Benedick…Mr. Brydon commands the stage with his presence and comic timing...his transformation from woman-hating bachelor to lovelorn suitor is enjoyable...Benedick’s metamorphosis from affirmed bachelor to prospective married man is hilarious…

…Brydon and Siner have formed a bond so strong...it seems like they're both at the center of the action, even when they're not. You can almost feel Brydon's eyes boring into Siner as Kirsten begs a neighbor for vanilla extract, for example; their work is really that connected.

a study in subtle, underplayed comic timing...The acting, too, is delightful.

Pfister and Brydon...delightfully enthusiastic torturers...Spitting out rapid-fire dialogue and jumping around the theatre like manic five-year-olds with switchblades, Mac and Ian created an electric tension that made their performances among the most memorable to grace a New York stage this year…

One of my favorite parts of the show, what brought some levity and humor, was the character Banquo (played by Mac Brydon) who was one of the show's saving graces, acting-wise. Unfortunately, the director cut his part down to nearly nothing. Brydon does a lot with what little role he has left, however.

The actors...do splendid work under the direction of Austin Pendleton.

Talented, appealing Mac Brydon was wasted in the one-trick role of Fletch, Harpagon's flamboyantly gay servant.

...she has a proper suitor in the equally-repressed Roger Doremus (Mac Brydon)...The cast is excellent...the members of Alma's book club are hilarious, with perfectly drawn characters that are exaggerated but never become caricature.